The study explores some of the Aesthetics of artistic images of the old and Innovative, and how they are formed in the poetry of Al-Sharif Al-Radi, Where it sheds light on some of the Critical rhetorical opinions of old and Innovative the images: the Comparison, metaphor, synecdoche, and metonymy, and It revealed its rhetorical aesthetics according to integrative approach between the old and modern, and by selecting a bouquet of poetry from the kindergarten of his Poetry that full of literature and unique images, which is an ideal example of the genius that al-Radi possesses, because of its distinction in the word, meaning and emotion and wisdom in its composition, especially the elements of the word and wisdom. He was very interested in portraying his feelings using his rhetorical tools, especially metaphors Where he breathed the spirit of life and movement, and followed by Comparison images, which consist more value, and more quantitative compared to synecdoche, and metonymy images, and his synecdoche, and metonymy images tend to simplicity even if they are not without precise meanings. It is clear that al-Radi gives a mysterious color of Figure of thought in the novel structure. The new elements of movement, shape and size, respectively, took a large area of its image and played its role in its formation, followed by the second rank of color and location, and at the third rank the elements of dialogue, smell and taste.
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